Michael T. Martin

culture & the contemporary city

The Globe and Tudor single-screen Movie Theatres, circa 1934.  Today the site is the J.W. Marriott Hotel.

The Globe and Tudor single-screen Movie Theatres, circa 1934.  Today the site is the J.W. Marriott Hotel.

You cannot police a bird…the streets belong to the people. Mardi Gras Indians; St. Joseph’s Night

Shrove Tuesday is a day to be remembered by strangers in New Orleans, for that is the day for fun, frolic, and comic masquerading. All of the mischief of the city is alive and wide awake in active operation. Men and boys, women and girls, bond and free, white and black, yellow and brown, exert themselves to invent and appear in grotesque, quizzical, diabolic, horrible, strange masks, and disguises. Human bodies are seen with heads of beasts and birds, beasts and birds with human heads; demi-beasts, demi-fishes, snakes’ heads and bodies with arms of apes; man-bats from the moon; mermaids; satyrs, beggars, monks, and robbers parade and march on foot, on horseback, in wagons, carts, coaches, cars, &c., in rich confusion, up and down the streets, wildly shouting, singing, laughing, drumming, fiddling, fifeing, and all throwing flour broadcast as they wend their reckless way. Scenes in the South, and Other Miscellaneous Pieces by James Creecy

Lipstick Traces

Benny Spellman, the baritone New Orleans rhythm and blues singers, died on Friday. He sang back up on Ernie K-Doe’s “Mother In-Law” and worked closely with Allen Touissant for years. His biggest hit, however, was “Lipstick Traces”

Dance on.

This is theater,” he said, gesturing at Frenchmen Street. “New Orleans is living theater. Just around the corner, in the next 20 minutes, something that only happens in New Orleans – associated with food or music or dance or comedy — is going to happen. Clarke Peters talking about “Treme”

Leave it to architects to whitewash any tensions that exist within these NOLA projects. While I’m excited about them, lets not forget all the wrangling necessary to get this all off the ground.

Leave it to architects to whitewash any tensions that exist within these NOLA projects. While I’m excited about them, lets not forget all the wrangling necessary to get this all off the ground.